Avez-vous remarqué que dans le monde tout ce qui compte va par quatre? La musique : timbre, harmonie, rythme et mélodie. Le repérage : altitude, latitude, longitude et datation. Les quatre aspects de la cause: pour quoi, avec quoi, par quoi et selon quoi? Les forces de la nature : interactions faible, forte, électromagnétique et gravitationnelle... Les vingt-quatre particules élémentaires qui constituent la matière une famille de six leptons associée à trois familles de quarks. Et aussi la logique d'un discours (...) nuancé : oui, non, oui et non, ni oui ni non. Pourquoi quatre est-il partout? La notion de quaternité apporte une réponse à la fois simple et surprenante à cette question. A partir d'exemples tirés de l'expérience humaine, les auteurs en dégagent les aspects structurels et s'en servent pour approfondir le sens des mathématiques et de divers autres domaines liés à la genèse de la connaissance. Il s'agit d'une nouvelle épistémologie, fondée sur un modèle logique qui complète celui d'Aristote. (shrink)

Les concepts de la physique ont été élaborés jusqu'ici par ajustement de la théorie à l'expérience. Désormais l'exploration de la matière nécessite une approche plus fine, où les concepts soient chargés de sens. Ici, les auteurs proposent de fonder la physique sur la "symbiose" entre une logique nouvelle et des principes métaphysiques qui structurent le concept de réalité. Les entités connues de la physique se déduisent directement de ces fondements, d'autres se révèlent et leur détection constitue un nouveau défi pour (...) les expérimentateurs. La microphysique y est dominée par la présence constitutive de non-ordre. Les phénomènes quantiques et l'espace-temps s'en trouvent réinterprétés. Diverses questions très actuelles sont examinées: matière noire, fusion froide, atomes hypercondensés, monopôles magnétiques... Cet ouvrage constitue un bouleversement épistémologique majeur car il fournit un modèle de pensée efficace dont les structures s'appliquent à tous les domaines de la science. (shrink)

This impeccable publication, the second of a four-volume History of Philosophy under the editorship of M Gilson, impressively inaugurates a series which should liberally endow undergraduate studies and the educated English-speaking public. More succinct and in some respects more decisive than Fr Copleston’s two-volume treatment, more developed than Hirschberger’s genial outline, more systematically philosophical than Dom Knowles’ biographico-historical survey, Dr Maurer’s exposition can stand comparison with Gilson’s own specialist History of Christian Philosophy in the Middle Ages to which he modestly (...) claims to offer an introduction, ‘and beyond all histories to the works of the medieval philosophers themselves’. He concentrates a masterful attention upon the key Christian thinkers from Augustine to Suarez, presenting a rich sweep of some twelve centuries from the patristic thought of the fourth century through the Scholastic era to the late Renaissance scholastics of the sixteenth century. This mature survey, emphasising sympathetic presentation rather than critical evaluation of each philosopher, is fitted succinctly and lucidly into less than 400 pages, reinforced by some 40 pages of select notes and followed by a scholarly bibliography and systematic index. The text is limpedly written, based squarely upon the original sources in the light of the best contemporary scholarship with a bias towards the well-known Gilson thesis, and pleasantly illuminated by the personal research judgment of the author. (shrink)

Friedrich Schlegel is known above all as a man of letters and political interests, while his philosophical opus has received as yet a very limited interest and attention. Perhaps this new critical edition will enable him to carve a small niche for himself in forthcoming histories of philosophy. He was certainly not the most significant thinker; but his imagination, many-sidedness, sharpness, and his unmistakable speculative gift qualify him to be in the second rank of Romantic philosophers immediately after Schelling and (...) Baader. The young Friedrich Schlegel was thoroughly under the spell of Fichte, but his later development—notwithstanding personal antipathy—carried him close to Schelling. The ethical pathos of Fichte's doctrine could not make Schlegel overlook the injustice done to nature, art, and religion. Though his celebrated conversion to Catholicism in the Dom of Cologne did not take place until 1838, Schlegel read Jacob Boehme and was a close friend of Schleiermacher, and thus was absorbed by religious problems years before. Already in his Cologne lectures he goes beyond the vague idealistic concept of the "divinity" in favor of a personal and transcendent God. These two volumes of the critical edition contain the following texts: Transzendentalphilosophie, lectures in Jena from 1800-1801. The text is the one published by J. Körner in 1935. The Development of Philosophy in Twelve Books and Propedeutic and Logic. The texts in Propedeutic and Logic are of a general introductory character. But in The Development of Philosophy a tremendous effort is made to give, if not an entirely systematic, at least a quasi-all-embracing, encyclopedic sketch of philosophy and its history. Here again we read nothing substantially new. The editor follows the text published by Windischmann in 1836 but does complete it with variants from other manuscripts. Métaphysique. These lectures were delivered in French to Madame de Staël. In addition to an already known text published by J. Körner the editor makes use of a manuscript in the hand of Schlegel which was found only after the last war. The preface of J.-J. Anstett is ascetically short and even the commentary consists only of sober and learned notes at the end of the second volume.—M. J. V. (shrink)

Iedereen zoekt geborgenheid in een eigenhuis, een plek onder de zon. Het vinden van een thuisplek is nochtans niet zo idyllisch als René Froger bezingt. Vooral in een multiculturele samenleving is de drang naar een thuisplek hevig. Op die plek exclusieve rechten uitoefenen wars van elke vorm van diversiteit, is een nieuw adagio. Wat voor de ene gemeenschap geborgenheid betekent, vormt voor een andere een regelrechte bedreiging. Hiertegen formuleren de auteurs een alternatieve landethiek in het spoor van Aldo Leopold. (...) Deze landethiek bouwen zij uit tot een fundamentele filosofie die radicaal breekt met de klassieke opvattingen van de Verlichting. De Leibniziaanse ruimte-tijd wordt de fundamentele basis voor de thuisplek. Cultuur, taal en landschap creeren de geborgenheid. Alle participanten van de thuisplek worden door diversiteit en het vreemde uitgenodigd tot openheid. Een ecologische ágape'verschijnt als een hernieuwde horizon. De onherbergzaamheid van de postmoderne samenleving heeft afgedaan. Steden transformeren tot multiculturele thuisplekken. Kunstwerken creeren landschappen tot plekken van identificatie. Thuisplekken worden plekken van geborgenheid waarmee men verbonden is, zoals een schildpad met haar schild... (shrink)

Friedrich Schlegel is known above all as a man of letters and political interests, while his philosophical opus has received as yet a very limited interest and attention. Perhaps this new critical edition will enable him to carve a small niche for himself in forthcoming histories of philosophy. He was certainly not the most significant thinker; but his imagination, many-sidedness, sharpness, and his unmistakable speculative gift qualify him to be in the second rank of Romantic philosophers immediately after Schelling and (...) Baader. The young Friedrich Schlegel was thoroughly under the spell of Fichte, but his later development—notwithstanding personal antipathy—carried him close to Schelling. The ethical pathos of Fichte's doctrine could not make Schlegel overlook the injustice done to nature, art, and religion. Though his celebrated conversion to Catholicism in the Dom of Cologne did not take place until 1838, Schlegel read Jacob Boehme and was a close friend of Schleiermacher, and thus was absorbed by religious problems years before. Already in his Cologne lectures he goes beyond the vague idealistic concept of the "divinity" in favor of a personal and transcendent God. These two volumes of the critical edition contain the following texts: Transzendentalphilosophie, lectures in Jena from 1800-1801. The text is the one published by J. Körner in 1935. The Development of Philosophy in Twelve Books and Propedeutic and Logic. The texts in Propedeutic and Logic are of a general introductory character. But in The Development of Philosophy a tremendous effort is made to give, if not an entirely systematic, at least a quasi-all-embracing, encyclopedic sketch of philosophy and its history. Here again we read nothing substantially new. The editor follows the text published by Windischmann in 1836 but does complete it with variants from other manuscripts. Métaphysique. These lectures were delivered in French to Madame de Staël. In addition to an already known text published by J. Körner the editor makes use of a manuscript in the hand of Schlegel which was found only after the last war. The preface of J.-J. Anstett is ascetically short and even the commentary consists only of sober and learned notes at the end of the second volume.—M. J. V. (shrink)

COSTA, J. W. B. Dom leme e os movimentos religiosos de massas: a proposta de ordem cristã para o Brasil. Dissertação (Mestrado) 2013. 157f - Pontifícia Universidade Católica de Minas Gerais, Programa de Pós-graduação em Ciências da Religião, Belo Horizonte. Palavras-chave: D. Leme. Congresso Eucarístico. Nossa Senhora Aparecida. Cristo do Corcovado. Ordem Cristã.

In lieu of an abstract, here is a brief excerpt of the content:Pairing breaths:Rabah Ameur-Zaïmech's Terminal Sud (2019)Marion Froger (bio)Translated by David F. BellAsphyxiaNever had I felt such a sense of suffocation watching a film by Rabah Ameur-Zaïmeche.1 The poisoned atmosphere of Terminal Sud (2019) recalls the atmosphere of the Algerian War (1955-1962) and that of the decade of darkness (1991-2002) in that country. The filmmaker chose not to make a historical film, however, but rather a dystopia that fuses (...) together periods and places. The story appears to be contemporary, in a country bathed in the colors of southern France, apparently in the grip of all the violence that French and Algerian memories are nowhere near forgetting.2 Bandits wearing combat uniforms, policemen wearing outfits sporting an acronym that strangely resembles one used by Islamist Algerian groups,3 and generals evoking the French putschists of 1961 all fight against each other—ransoming, threatening, kidnapping, killing, and torturing the local population. Meanwhile, out in the countryside, guerrillas (maquisards4) try to care for their dying leader, like North African freedom fighters (fellagas) were doing before them, and this in turn evokes French Resistance fighters in the 1940s. The film's work on confused memories, which, according to Thierry Kuntzel, is related to the condensation, overdetermination, and displacement of dreamwork, transforms being out of breath into a symptom that hounds the doctor, played by Ramzy Bédia ("Inhale…Exhale…Inhale again…Hold your breath…Exhale"), a state of the world in the form of a trap that threatens to suffocate him—and launches the quest for a filmic poetics of calm through the pairing of breaths.Peeling façades with tightly closed doors, lowered metal shop shutters, narrow and tense streets: the doctor, his wife Hazia, and their family slip outside in fear of kidnapping and gunfire, climb up stairs breathing heavily, anxiously await by the window, their bodies obscured in starkly contrasting shadows cast by glaring light, hug each other with endless sighs. As they share their grief, they have barely enough breath left to sing to the memory of someone who has disappeared,5 as if after an argument, [End Page 244] when everything has been said and all that remains is a strangled sob serving as last farewell.The film opens with an attack on a minivan used for public transportation: bandits, who could be soldiers, steal everything from the passengers and driver. The doctor sees his patients in a rundown hospital, treats a woman whose breathing is raucous, her voice taut with anxiety, and who speaks about the disappearance of her husband. Back home, he finds anonymous letters containing death threats and, to calm down, he searches for his breath by taking a deep drag from a cigarette and a swig of whiskey. "I can't take it any longer, I can't even stand up, I can't do anything, I'm at the end of my rope, I'm tired […] Is that what our country has become?" he confides to a friend several hours before losing, in the emergency room, his wife's brother, a journalist assassinated in front of his house. "Stay with me," he says as he runs beside the stretcher calling for help, "Breathe, breathe."The spasmodic breathing of Ramzy Bédia, provoked by the fear, effort, and pain that define his character, intensifies as the film progresses. He barely breathes in the car taking him to treat the rebel leader; he is running out of breath beside the leader's bed as we hear the death rattle and as Bédia shouts to the leader's comrades, "Give him some air, everyone get out!" Later, one of the policemen standing guard at the entrance to the hospital will be mortally wounded by a kamikaze attack and will die on the operating table despite the doctor's exhausting reparatory manipulations. Asphyxia will ultimately directly threaten the doctor after his arrest. Tied to an old bedspring, he will be tortured by electroshock,6 will attempt one last time to justify himself to a soldier who wants to know everything about the rebel leader the doctor has treated, and will nearly suffocate in his... (shrink)

Three years before René Girard published La violence et le sacré, a Jesuit doctoral candidate at the University of Fribourg began a short essay entitled “Unterwegs zu einer toleranten Kirche” in April 1969 with this claim: “Hexenjadgen gab es auf die eine oder andere Weise zu allen Zeiten”. After having asserted that it is a universal feature of human existence to elevate customs, laws, thought patterns, and other interests to absolute norms, he argued, “Im Namen dieser Normen stießen sie dann (...) einzelne oder Minderheiten aus ihrer Gemeinschaft aus und trieben sie in die Vereinsamung und oft sogar in den physischen Tod” (In... (shrink)

Recent studies indicate that mammalian chromosomes contain discretecis‐acting loci that control replication timing, mitotic condensation, and stability of entire chromosomes. Disruption of the large non‐coding RNA gene ASAR6 results in late replication, an under‐condensed appearance during mitosis, and structural instability of human chromosome 6. Similarly, disruption of the mouse Xist gene in adult somatic cells results in a late replication and instability phenotype on the X chromosome. ASAR6 shares many characteristics with Xist, including random mono‐allelic expression and asynchronous replication timing. (...) Additional “chromosome engineering” studies indicate that certain chromosome rearrangements affecting many different chromosomes display this abnormal replication and instability phenotype. These observations suggest that all mammalian chromosomes contain “inactivation/stability centers” that control proper replication, condensation, and stability of individual chromosomes. Therefore, mammalian chromosomes contain four types ofcis‐acting elements, origins, telomeres, centromeres, and “inactivation/stability centers”, all functioning to ensure proper replication, condensation, segregation, and stability of individual chromosomes. (shrink)

Muitas expectativas povoam nosso coração de discípulos e missionários, às vésperas da Conferência de Aparecida. Uma delas diz respeito ao diálogo inter-confessional nas suas duas vertentes: ecumênica (com as Con) ssões cristãs) e inter-religiosa (com as demais religiões). Alguns, convictos do valor desta importante diretriz do Concílio Vaticano II, indagam se o diálogo estará devidamente presente nos debates da V Conferência.